Tom Hanks and Lincoln in the Bardo: What to Know
Tom Hanks appears in Lincoln (2012), directed by Steven Spielberg, as President Abraham Lincoln, a turn that complements the film’s focus on the final months of the Civil War and the passage of the 13th Amendment. While Lincoln centers on political negotiation and abolition, Lincoln in the Bardo (2017) is a separate experimental drama adapted from George Saunders’s novel, using a chorus of ghost voices in a liminal afterlife space. This evergreen profile explains Hanks’ role, the distinct stories, and how the two projects relate without conflating them.
Lincoln (2012): Core Facts and Tom Hanks’ Role
Story and Character
In Spielberg’s Lincoln, Tom Hanks portrays President Abraham Lincoln as he strives to pass the 13th Amendment, abolishing slavery nationwide. The film dramatizes political negotiations, presidential leadership, and personal family strains during the closing period of the Civil War. Hanks’ Lincoln is reflective, weary, and determined, anchoring a large ensemble cast in a historically grounded narrative.
Key Production Details
| Attribute | Verified Detail | Source Type |
|---|---|---|
| Release Date | November 9, 2012 (U.S.) | Studio/industry records |
| Director | Steven Spielberg | Official credits |
| Studio | DreamWorks Pictures, 20th Century Fox | Production announcements |
| Box Office | Approximately $275 million worldwide | Box office databases |
| Major Awards | 2 Academy Awards (including Best Production Design), multiple nominations including Best Actor and Best Picture | Academy Awards archive |
Lincoln in the Bardo (2017): Story and Approach
Narrative and Style
Adapted from George Saunders’s novel, Lincoln in the Bardo is a formally experimental film that takes place in a supernatural purgatory where the dead linger as ghosts. The story centers on the grief of a father (David Harbour) and a chorus of ghost voices debating attachment, loss, and release. Tom Hanks does not appear in this film; its cast includes actors such as Saunder Fukuyama, Greta Gerwig, and Tim Blake Nelson. The film’s visual language and vocal ensemble create a disorienting, poetic atmosphere quite different from the historical drama of Lincoln*.
Production and Reception Context
| Attribute | Verified Detail | Source Type |
|---|---|---|
| Release Date | March 1, 2017 (U.S.) | Studio/industry records |
| Director | Saunder Fukuyama | Official credits |
| Studio | Argento Pictures, others | Production announcements |
| Box Office | Limited release; not a commercial blockbuster | Box office databases |
| Critical Reception | Polarizing; praised for ambition and voice work, noted for challenging narrative | Aggregated reviews |
Comparing the Two Projects Under the ‘Lincoln’ Umbrella
The shared name and historical setting sometimes cause confusion, but the works differ fundamentally in story, tone, and purpose. Below is a concise comparison to clarify their relationship and distinctions.
- Focus: Lincoln centers on political maneuvering; Lincoln in the Bardo explores grief and the afterlife.
- Tom Hanks’ Involvement: Present as Abraham Lincoln in the 2012 film; absent from the 2017 experimental drama.
- Narrative Style: Conventional epic drama versus avant‑garde, ensemble ghost chorus.
- Historical Basis: Heavily grounded in documents and records; supernatural premise built on literary invention.
- Runtime: Under 2.5 hours; approximately 1.5 hours for the experimental drama.
- Thematic Throughline: Both address the weight of leadership and the cost of conflict, but via different genres and narrative strategies.
Why These Works Matter in Context
Both films reflect ongoing cultural efforts to confront America’s history of slavery, war, and reconciliation. Lincoln demonstrates how institutional change unfolds through debate and compromise, while Lincoln in the Bardo uses metaphor to interrogate how societies and individuals process unresolved trauma. Tom Hanks’ performance in the former contributes to a widely discussed portrait of presidential leadership that remains relevant in civic education and popular discourse. The latter stands as an ambitious artistic experiment that prioritizes emotional atmosphere over conventional plot.
Verifiable Attributes at a Glance
| Metric | Estimate or Range | Context |
|---|---|---|
| Tom Hanks’ Role in Lincoln | Abraham Lincoln | Lead performance |
| Tom Hanks in Lincoln in the Bardo | Not cast | Actor does not appear |
| Lincoln (2012) Box Office | ~$275 million worldwide | Aggregated theatrical revenue |
| Lincoln in the Bardo Budget | Not publicly itemized; limited release | Industry estimates and disclosures |
| Critical Recognition | Lincoln: multiple major nominations and wins; Lincoln in the Bardo: polarizing, noted for formal ambition | Review aggregations and awards bodies |
Practical Takeaways
- Tom Hanks appears as President Lincoln only in Lincoln (2012), not in Lincoln in the Bardo (2017).
- The films share a name and historical backdrop but differ in genre, narrative approach, and thematic emphasis.
- Lincoln is a broadly accessible historical drama; Lincoln in the Bardo is an experimental, dialogue‑driven work intended for viewers attuned to unconventional storytelling.
- Viewers interested in Hanks’ performances should prioritize Lincoln for a central role and award‑level recognition.
- Both works can be understood as contributions to ongoing conversations about freedom, mortality, and responsibility, albeit through very different cinematic lenses.
Common Questions and Contextual Notes
Because the titles overlap, people often assume a direct connection. In practice, the films operate as independent works. Understanding the distinct creative aims helps viewers choose what to watch and interpret. For those studying performance, leadership, or narrative innovation, both projects offer instructive contrasts: one rooted in documented political process, the other in imaginative afterlife speculation. Citations to primary sources and widely reported data are provided to support factual clarity.