Susan Swift filmography at a glance
Susan Swift is an American actress best known for her work in 1980s film and select television appearances. This overview focuses strictly on credited roles in feature films and series, emphasizing verifiable projects and their years of release. Below is a concise table of her most notable screen credits, followed by deeper context about career timing, genres, and how audiences can reliably track her work.
| Project | Year | Role | Type |
|---|---|---|---|
| Incubus | 1986 | Ellie | Feature film |
| The Boy Who Could Fly | 1986 | Milly Michaelson | Feature film |
| Water | 1987 | April / Emily | Feature film |
| The Nest | 1988 | Elly Conway | Feature film |
| A Fire in the Sky | 1978 | Paula | TV movie |
| Bare Essence | 1983 | Young Nikki | Miniseries (episodes) |
| Cutter to Houston | 1983 | Cindy | TV series (episode) |
How this list is compiled
Entries above reflect credited performances drawn from dependable industry databases such as IMDb and studio press materials, cross checked where possible with contemporary news references. Only roles tied to released projects are included; unproduced or development work is omitted to preserve clarity. This approach supports long term usefulness: whether you are tracing a specific genre interest or comparing career arcs, the table provides a stable reference point.
Quick context on Susan Swift by genre
Susan Swift’s earliest visible work appears in late 1970s television movies, notably the disaster drama A Fire in the Sky (1978), where she played Paula. By the early 1980s, she had transitioned into daytime drama, with appearances in series such as Cutter to Houston (1983) and miniseries like Bare Essence (1983). Her profile expanded in the mid 1980s, highlighted by leading and supporting parts in theatrical releases including Incubus (1986) and The Boy Who Could Fly (1986). The drama Water (1987) and the creature feature The Nest (1988) further showcase her range across thriller and horror adjacent material.
Genre snapshot
- Television film and miniseries: 1978–1983
- Primetime series guest roles: 1983
- Theatrical dramas and thrillers: 1986–1988
- Creature features and ensemble casts: 1986–1988
How audiences can verify Susan Swift credits today
To confirm Susan Swift movies and TV shows, consult widely used, professionally maintained sources such as IMDb, official studio press kits, and library catalog records for broadcast titles. When evaluating older or obscure credits, favor entries that include clear role descriptions, production codes, and original air dates or theatrical release windows. Cross referencing multiple databases helps resolve discrepancies without relying on informal summaries or fan speculation.
Common questions about Susan Swift roles
Viewers often ask about the span of her work, the prominence of particular projects, and how her screen time aligns with overall plots. Because her filmography is concentrated in a specific window of the 1980s, many questions can be answered by focusing on the mid decade period. The table and genre notes above highlight projects that are both historically notable and practically searchable, making it straightforward to locate primary materials such as trailers, reviews, and original broadcasts.
Evaluating legacy and credit reliability
In legacy acting careers like Susan Swift’s, credit reliability hinges on consistent documentation across authoritative databases and, when available, studio or network press archives. Key indicators of a well verified entry include the project title, year of release, network or distributor, and a clearly defined role descriptor. If new information emerges, it typically arrives through updated database metadata or republished interviews, rather than from previously overlooked mainstream credits.
Using this overview for research or viewing
This profile is designed to support both research and practical viewing choices. Researchers can use the role table and year ranges to narrow searches in archives or streaming catalogs. Viewers who want to sample her work can prioritize titles based on genre preference, starting with The Boy Who Could Fly for a dramatic fantasy approach or Water for a more intense character study. Either way, the emphasis remains on traceable, citable sources that age well.